Showing posts with label ngoni yao chapeta gubu isihlanga. Show all posts
Showing posts with label ngoni yao chapeta gubu isihlanga. Show all posts

Tuesday, August 10, 2010

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NOTES ON NGONI AND OTHER NATIVES OF NYASALAND, N.E. RHODESIA, AND PORTUGUESE ZAMBEZIA, THEIR ARTS, CUSTOMS, AND MODES OF SUBSISTENCE.

  • Tuesday, August 10, 2010
  • Samuel Albert
  • BY CAPTAIN C. H. STIGAND, "THE QUEEN'S OWN" ROYAL WEST KENT REGIMENT.
    The Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol.37 (Jan - June., 1907 pp 119-132

    CONTENTS.
    1. Arts. 2. Burial Customs. 3. Customs and Dances. 4. History. 5. Language. 6. Mode of Subsistence. 7. Musical Instruments. 8. Ornaments and Disfigurations. 9. Religion and Superstitions. 10. Various and Miscellaneous.

    1.ARTS.
    Brass Anklets and Bracelets.-These are made from empty cartridge-cases, brass wire, etc. The crucibles, made of clay, are filled with cartridge-cases, which are heated in a charcoal fire, blown by means of bellows made of goat skin flayed in the form of a bag and attached to a wooden mouthpiece at one end, and to a stick at the other, to pull it open and shut. The crucible is held by a pair of long iron pincers. A mould is made by holding a stick upright and piling white powdery sand round it next to the stick, and supporting this outside with wet sand. The stick is then withdrawn, and the metal, when molten, poured into its place. This makes a stick of mnetal when cool, which is then hammered round to form the anklet or bracelet.

    Anklets.-Made of the seed of wild banana (sarakoto). Holes are bored in the black seeds with a red-hot nail, and strung on string. Used to make a rattling sound in dancing.

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